Did Princess Kate get the National Portrait Gallery to remove a painting of Harry?

Publish date: 2024-06-03

The Princess of Wales has been the patron of the National Portrait Gallery for more than a decade. I think the idea behind the patronage was “Kate majored in art history and she can do very easy events around art.” For what it’s worth, Kate does seem to enjoy the patronage and they’ve set up some of “her” most successful schemes, like the pandemic-era portrait book. Well, now Kate is sort of getting the blame for the gallery removing one of their most beloved paintings: a painting of Prince William and Prince Harry in their Blues and Royals uniforms. The painting was done in 2010, commissioned by the gallery, and Harry and William both agreed to sit for Nicky Philipps back then. Well, the painting has “disappeared” from the walls of the gallery. Probably for good.

When the National Portrait Gallery in London reopens amid much fanfare later this month after a three-year, £35 million refurbishment, the eyes of the art world will be on its new public spaces, including a cocktail bar open late into the evening. There will also be much discussion about which pictures among the quarter of a million owned by the gallery have been chosen to be put on public display. But among the pictures that will remain hidden from view is one of the better regarded royal portraits of recent years.

When it was unveiled in 2010, Nicky Philipps’s portrait of Princes William and Harry was described by one critic as “thoroughly modern”. Sandy Nairne, then director of the gallery, called it “a delightful image which extends the tradition of royal portraiture”. These days, however, the painting might be regarded as a painful reminder of the rift at the heart of the royal family, and one that has particular resonance for the gallery’s patron, the Princess of Wales.

It depicts the Prince of Wales and Duke of Sussex in happier times, long before they fell out and Harry left the country to live a new life with his family in California. Both lieutenants in the Household Cavalry at the time, they are shown wearing the full mess uniform of the Blues and Royals. The gallery will not say why the picture has not been included in the hang for the official opening, but both the gallery and Kensington Palace say that the decision was not at the request of the palace.

However, questions are being asked in art circles about why a picture of great contemporary interest, and one which is seen as being of considerably higher quality than many modern royal portraits, is no longer available to be seen by the public.

A gallery spokeswoman said: “Decisions relating to the portraits on display at the National Portrait Gallery are made by the gallery’s curatorial team. With over 250,000 portraits in our collection, we are only able to display a small percentage within our building, however, as one of the world’s largest and most important collections of portraits, we regularly lend and tour our works, both nationally and internationally. This portrait by Nicky Philipps was included in a touring exhibition — Tudors to Windsors — which travelled between 2018 and 2021. The portrait was last displayed at the gallery between March and August 2018.”

[From The Times]

For what it’s worth, I doubt Kate “pulled rank” or whatever – I doubt she demanded that the gallery remove the painting. This reads like some stuffy royalists working for the gallery were like “oh no, we can’t exhibit the painting of the charismatic ginger prince, that will upset our patron and her incandescent husband!” Now, if William was the patron, then maybe yes, I could totally see him barking his demands about removing the painting. I just doubt Kate would. The whole thing is so funny and so sad – like, Harry just lives rent-free in all of their heads.

Photos courtesy of Avalon Red.

64910, EDINBURGH, UNITED KINGDOM – Saturday July 30, 2011. Duke William and Duchess Catherine of Cambridge leave Canongate kirk in Edinburgh after the Royal Wedding of Zara Phillips to Mike Tindall. **NORTH AMERICAN USE ONLY** Photograph: ©Optic Photos, **FEE MUST BE AGREED PRIOR TO USAGE** **E-TABLET/IPAD & MOBILE PHONE APP PUBLISHING REQUIRES ADDITIONAL FEES** UK OFFICE:+44 131 557 7760/7761 US OFFICE:1 310 261 9676 Duke William and Duchess Catherine of Cambridge leave Canongate kirk in Edinburgh after the Royal Wedding of Zara Phillips to Mike Tindall,Image: 525333503, License: Rights-managed, Restrictions: WORLD RIGHTS, DIRECT SALES ONLY UNLESS STATED OTHERWISE IN CAPTION – Fee Payable Upon Reproduction – For queries contact Avalon.red – sales@avalon.red London: +44 (0) 20 7421 6000 Los Angeles: +1 (310) 822 0419 Berlin: +49 (0) 30 76 212 251 Madrid: +34 91 533 4289, Model Release: no, Credit line: Optic Photos, PacificCoastNews.com / Avalon Britain’s Catherine, Duchess of Cambridge views a painting of her husband Prince William and brother-in-law Prince Harry at the National Portrait Gallery in London April 24, 2013. The Duchess, accompanied by National Portrait Gallery director Sandy Nairne and Art Room charity founder Juli Beattie (R), was attending a reception in celebration of the Art Room, of which she is a patron.,Image: 543405665, License: Rights-managed, Restrictions: NO UK USE FOR 48 HOURS – Fee Payable Upon Reproduction – For queries contact Photoshot – sales@photoshot.com London: +44 (0) 20 7421 6000 Florida: +1 239 689 1883 Berlin: +49 (0) 30 76 212 251, Model Release: no, Credit line: – / Avalon Britain’s Catherine, Duchess of Cambridge views a painting of her husband Prince William and brother-in-law Prince Harry at the National Portrait Gallery in London April 24, 2013. The Duchess, accompanied by National Portrait Gallery director Sandy Nairne and Art Room charity founder Juli Beattie (R), was attending a reception in celebration of the Art Room, of which she is a patron.,Image: 543405819, License: Rights-managed, Restrictions: NO UK USE FOR 48 HOURS – Fee Payable Upon Reproduction – For queries contact Photoshot – sales@photoshot.com London: +44 (0) 20 7421 6000 Florida: +1 239 689 1883 Berlin: +49 (0) 30 76 212 251, Model Release: no, Credit line: – / Avalon
“Prince William and Prince Harry” by Nicola Jane Philipps, Oil on canvas, circa 2009, is unveiled at the National Portrait Gallery, London, 6th January 2010. Picture by /,Image: 546887833, License: Rights-managed, Restrictions: WORLD RIGHTS – Fee Payable Upon Reproduction – For queries contact Photoshot – sales@photoshot.com London: +44 (0) 20 7421 6000 Florida: +1 239 689 1883 Berlin: +49 (0) 30 76 212 251, Model Release: no, Credit line: Jonathan Short / Avalon “Prince William and Prince Harry” by Nicola Jane Philipps, Oil on canvas, circa 2009, is unveiled at the National Portrait Gallery, London, 6th January 2010. Picture by /,Image: 546887852, License: Rights-managed, Restrictions: WORLD RIGHTS – Fee Payable Upon Reproduction – For queries contact Photoshot – sales@photoshot.com London: +44 (0) 20 7421 6000 Florida: +1 239 689 1883 Berlin: +49 (0) 30 76 212 251, Model Release: no, Credit line: Jonathan Short / Avalon “Prince William and Prince Harry” by Nicola Jane Philipps, Oil on canvas, circa 2009, is unveiled at the National Portrait Gallery, London, 6th January 2010. Picture by /,Image: 546887861, License: Rights-managed, Restrictions: WORLD RIGHTS – Fee Payable Upon Reproduction – For queries contact Photoshot – sales@photoshot.com London: +44 (0) 20 7421 6000 Florida: +1 239 689 1883 Berlin: +49 (0) 30 76 212 251, Model Release: no, Credit line: Jonathan Short / Avalon
The Duchess of Cambridge visited the Imperial War Museum (IWM) London.and officially opened two new galleries, The Second World War Galleries and The Holocaust Galleries. She also viewed the exhibition Generations: Portraits of Holocaust Survivors, which includes the two portraits she took last year to mark 75 years since the end of the Holocaust. The Duchess visited the IWM’s new Second World War Galleries, which tell the individual stories of some of the six million Jewish people murdered in the Holocaust through over 2,000 photos, books, artworks, letters and personal belongings. During her visit, Her Royal Highness unveiled a plaque to officially open the two new Galleries. The Duchess will then be accompanied to Generations: Portraits of the Holocaust, which features over 50 photographic portraits of Holocaust survivors and their families. Her Royal Highness toured the exhibition and met individuals involved in the project, before reuniting with Stephen Frank BEM and Yvonne Bernstein, who she photographed alongside their granddaughters for the exhibition in January 2020. The Duchess looking at picture shows Ziggi Shipper and his family,Image: 642567697, License: Rights-managed, Restrictions: , Model Release: no, Credit line: ARTHUR EDWARDS / Avalon

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